Ok let's be honest - your work is awesome, right? Right. You want every piece of your new artwork to top the last and be even more beautiful and well renowned, but they can't all be the best. It's just not possible (because ... science). All of your work can definitely be good or even great; you can love each and every one of your art-babies equally, but no matter what you do you're going to create a real winner every now and then. Sometimes you accidentally create a unicorn (ok not an actual unicorn ... well maybe you're making a picture of a unicorn ... but just stay with me.) - an image that just shines a bit brighter and sticks its head a bit higher out of the ever-filling pool of images flooding the internet these days.
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It's All In The Tiny Details
Today I'm going to be delightedly babbling on about one of my very favorite Photoshop techniques. I use it on every single image in one way or another. First though, I'd like to do some babbling about two really fantastic humans. As you may have discovered by now, earlier this month (October 2014 for you future people), I attended a Flickr gathering. At this meet up I met several of my new favorite people, aka everyone there. Two of these artists in particular happened to be Sarah Ann Loreth and Joel Robison. For those of you that don't know of these fine people, first of all I'm sorry, and secondly GET ON IT! Not only are they both incredibly talented creative image makers, but they, along with Shane Black, are wonderful enough to dedicate their time to spreading art, learning, and love to artists all across the nation through their traveling non-profit photography workshops called The Wild Ones. Basically what I'm trying to say is that they are super rad people to be around. I was lucky enough to have had some Flickr-meet-up-bonding-time with these crazy kids and can now officially call them my friends. (Life goal achieved.)
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